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Видео Все. Gerry Gross bought the book from Ellison in , providing him with the funds he needed to move to Los Angeles. Subsequent payments after the book was published supplied the author with enough money to survive until he was able to find a job writing for a television series. It was later reprinted in by New American Library with an introduction by Ellison.

The stories are in the genre of speculative fiction, and concentrate on the themes of loneliness, the end of the world, and the flaws of humanity. Ellison wrote a short introduction to each story, a tradition that he would repeat in many of his later short story collections.

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The trouble with Miniver Cheevy child of scorn who cursed the day that he was born was that—aside from the fact he was a bit of a fink, with no understanding of the contemporary image he projected—he was always building dream castles, and then trying to move into them. A guy who is a foul ball in one time, must assuredly be so in another…unless his name is da Vinci or Hieronymous Bosch. And the poor soul in this little epic is named neither, which may be the reason he suffers a.

Current crazes fascinate me. Trends knock me out, frankly: Whether it be painting by the numbers or making your own full-scale skeleton of a tyrannosaurus, I think the most imaginative, and auctorially-useful fad of recent years has been the one aptly called. Simply put, an adventure. A fable of futurity.

A pastiche of men in conflict, in another time, another place, where the strength of the inner man counts for more than the bone and muscle and cartilage of the outer man. What kind of a culture are we breeding around us? A society in which everyone tries to be average, right on the norm, the common denominator, the median, the great leveler. College kids demonstrating a callow conservatism that urges them not to stick their heads above the crowd, not to be noticed.

Political candidates so bland they must of necessity be faceless to gain identification with their equally faceless constituents. A sameness in thinking, in demeanor, in dress, in goals, in World Communism, famine, plague, pestilence or the singing of The Everly Brothers, I fear for the safety of my country and its people from this creeping paralysis of the ego. I have tried to say something about it in. What can I tell you? Under the side porch of our house, magic lands of adventure and intrigue made themselves known to me in the pages of comic books that chronicled the adventures of the Sandman, Captain America and Bucky, the Human Torch, the Boy Commandos, Captain Marvel, Starman, Superman, Batman, Green Lantern, the Flash and my favorite , Hawkman.

Duplicate prizes will be awarded in case of a tie. I saw the Shadow with Victor Jory. It was a golden time, before TV, in which the imagination and the need to be young were coupled with a world of wonders.


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In my world, at the corner of Harmon Drive and Mentor Avenue, was a wonderful dark woods, just like the one in. When I first arrived in Hollywood in February of I found myself thinking about the next story frequently. There is an unreality here that superimposes itself over the normal continuum, effecting a world-view much like that observed through a dessert-dish of Jell-O. Or like the one I cannot seem to forget, in the story I called. Bluntly put, the following story has truly been used. I am always astounded at writers who sell and re-sell and re-re- sell their stories or books, wringing every last possible penny from them.

But in the case of the following epic, I can truly say I take backseat to no man. The idea occurred to me in my first days at Ohio State University , back in the early Fifties.

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I wrote it and it was published in the Ohio State Sundial , the humor magazine I later edited. No two of these setting-downs were alike, incidentally. Then the radio performance rights were purchased by an outfit that was planning to revive Dimension X for Sunday listening on the Mutual Broadcasting System. It never got off the ground, but I had been paid, so that was another sale. You know the world is going to end. What do you do?

What if you had been hidebound and stultified all your days, when you got wind of the coming Boom? What then? Why, perhaps you would follow a course of action similar to the hero of this little piece, in which I tried to say that everything is relative, and even dross, under the proper conditions, can be as good as gold. In other words, the love of a less than kindly creature can be the single most important possession in the universe on. While in the US Army at Fort Knox, Kentucky, one of my duties was Troop Information NCO, and the story that follows published in a magazine at that time seemed to me an interesting departure from the usual stodgy troop lectures I was required to give.

I read this story to a number of groups of hardened twenty-year men as well as six- monthers and two-year draftees and asked for comment. That it seemed such a thing might some day come to pass, and they wanted to know how I, a man who had never been in combat, had been able to devise such weird ideas, and put them down in a form that seemed rational. I told them I had glimpsed hell, and that I thought some day perhaps the whole world would be that hell, unless we stopped trying to strangle decency, unless we stopped trying to turn logic and imagination and the hearts of men toward a.

Whatever the reasons, from time to time I have tried to make sport of the established genres of science fantasy, as in this fable called. Since I was thirteen, to greater or lesser degree, I have been a rootless person. Up and down and back across the United States, wherever the vagaries of life have carried me with my writing, military service, marriage, job opportunities or just plain chance. And from these peregrinations has come the belief that not only is home where the heart is, but the heart is undeniably where the home is.

I was also prompted by this obscure notion, to write. It is down in the Book of the Ancestors with truth. The Ruskind know but one home. Ruska is home, for home shall be where the heart is. The stars are not for the Ruskind, for they know, too, that the heart is where the home is.


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Man alone. Man trapped by his own nature and the limits of the world around him. Man against Man. Man against Nature.


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All of thee inevitably come down to the essential question of how courageous a man can be in a time of massive peril. They all come down to how a man can survive, by strength of arm, by fleetness of foot, and most of all, by inventiveness of intellect.

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Each man, each thinking individual, for the first time in the history of the race, completely—or as near completely as prejudiced mass media will allow—aware of the forces hurling him into the future. The Bomb, ready to go whenever the finger jumps to the proper button, the ethics slowly but steadily deteriorating, the morality finding its lowest common level, and each man, each thinking individual, virtually helpless before the fluxes and flows of civilization and herd instinct.

Yet, is he really alone? Or is the imagination and fierce drive to survive a tenacious linkage among us all? And if it is, then are we not brothers to the man who had. I have no quarrel with those who wish to believe—whether they believe in a flat Earth, the health-giving properties of sorghum and blackstrap molasses, Dianetics, the Hereafter, orgone boxes, a ghostwriter for Shakespeare, or that jazz about the manna in the desert—except to point out that nothing in this life and presumably the next is certain; and faith is all well and good, but even the most devout should leave a small area of their thoughts open for such possibilities as occur in.

After mooching room, board and writing counsel from Lester del Rey and his wife Evelyn for a few days, I moved into one of the great abodes of memorabilia in my life—a hotel on West th Street, where already resided Robert Silverberg, the writner, who had been attending Columbia University and selling stories on the side or vice versa.

In the first week of my residence, I completed three short stories. The first was sold to Larry Shaw, then editor of Infinity, and provided rent for several weeks to come. The second sold to Guilty Detective Story Magazine, and provided food for the tummy. The third was prompted by the dreadful weather, the silver rain that fell past my third floor window hour after hour. It did not sell till three years later, to the British magazine Science Fantasy.